THE
ALWAYS DECREASING INTEREST IN POETRY, COMPARED TO AN INCREASING
NUMBER OF EXPERIMENTATION IN VISUAL LANGUAGE, IS IT DUE TO IGNORANCE OF
THE SYMBOLS BY WHICH POETRY EXPRESSES ITS EMOTIONS?
HAS THE “WORD” A MORE INTRINSIC AND PROFOUND CAPABILITY OF
COMMUNICATION, OR IS IT THE IMMEDIACY AND THE UNIVERSALITY OF AN
“IMAGE” THAT ALLOWS FOR MORE POWERFUL EMOTIONS, HENCE RESULTING IN A
MORE COMMUNICATIVE WORK OF ART?
WHAT
ARE THE LIMITS OF VERBAL COMMUNICATION? WHAT ARE THE LIMITS OF VISUAL
COMMUNICATION? IS THERE A RELATIONSHIP THAT EXISTS BETWEEN THEM?
IS IT POSSIBLE TO ASSERT THE SUPERIORITY OF ONE FORM OF COMMUNICATION
OVER THE OTHER?
THESE QUESTIONS ARE THE STARTING POINT FOR THE PROJECT CORRISPONDENZE.
POETIC TEXT IS USED AS THE BASE OF INSPIRATION FOR PHOTOGRAPHIC
EXPRESSION AND PHOTOGRAPHY AS THE UNIVERSAL COMMUNICATIONAL LANGUAGE. A
UNION OF POETRY AND PHOTOGRAPHY FOR A COMPARISON BETWEEN THE ARTISTIC
EXPRESSIONS AND A COMMON ENRICHMENT.
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